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By: Greg Sandow

You’re right about UT not being — not by a long shot — the only music school not to encourage students to move into the larger music community. I’ve never heard of a school doing that, and it irks me,...

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By: Greg Sandow

As I said to Stephen Snowden, I was very aware of writing as an outsider. I’m glad to learn more! Of course I’d love to return, and see the full extent of what’s going on. I hope that happens!...

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By: steveparker

Greg, Thanks so much for this article — totally on board with everything. In addition to the previously mentioned projects (which are fantastic), just a few others to check out if you are back in...

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By: ken nielsen

Greg – I posted (I think) a comment on this but it disappeared. Is it in moderation or somewhere? If not, I’ll do it again…

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By: Greg Sandow

Thanks, Steve. An audience of 500 is impressive! Would you hazard a guess — or, of course, a solidly informed reading — of how many people outside the normal classical/new music orbit come to...

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By: Greg Sandow

Ken, I think I remember approving your comment. But where is it? I can’t find it anywhere. Have no idea what happened, but whatever it is, I apologize. Would you post it again? I’m always happy to know...

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By: Steve Parker

Austin audiences are generally very curious and many of the folks that attend these types of concerts come from a variety of backgrounds. There is a wide smattering of ages, from infants to seniors,...

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By: Greg Sandow

Steve, Sorry to be late responding. Thankgiving, lots of travel. Thanks for the info. Sounds like these concerts get an arts audience. Is that right?

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By: jasonrylander

I would think a place like Le Poisson Rouge might do well in Austin.

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By: Greg Sandow

I’m sure it would. What I’m not sure of is how much of a nonclassical audience LPR gets for classical concerts. A lot of classical shows there are album release parties, where the audience appears to...

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